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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one in the most mentioned books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended being a trilogy. Did it really end the way you planned it from your beginning?
A: Very much so. While I did not know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant throughout the writing process.
Q: We understand you worked around the initial screenplay for a film to get based on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?
A: There were several significant differences. Time, for starters. When you are adapting a novel into a two-hour movie you simply can't take everything with you. The story has to be condensed to match the newest form. Then there is the question of how best to consider the sunday paper told inside first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss to get a second and therefore are privy to all of her thoughts so you need a strategy to dramatize her inner world and to create it feasible for other characters to exist outside her company. Finally, there is the challenge of how you can present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of the situation is acceptable on a page that would not be on the screen. But wait, how certain moments are depicted may ultimately be in the director's hands.
Q: Are you currently capable of consider future projects while working on The Hunger Games, or are you immersed in the world you might be currently creating so fully it is simply too hard to think about new ideas?
A: I have a couple of seeds of ideas going swimming within my head but--given very much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges i can commence to develop it.
Q: The Hunger Games is once a year televised event through which one boy and something girl from each from the twelve districts is made to participate in the fight-to-the-death on live TV. What can you think that the appeal of reality television is--to both kids and adults?
A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are often unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, in order that once they see real tragedy playing out on, say, the news, it does not hold the impact it should.
Q: Should you were instructed to compete within the Hunger Games, exactly what do you think your skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope can be to acquire hold of an rapier if there was one available. But reality is I'd probably get of a four in Training.
Q: What do you hope readers should come away with whenever they read The Hunger Games trilogy?
A: Questions about how elements with the books might be relevant within their own lives. And, when they are disturbing, whatever they might do about them.
Q: What were some of one's favorite novels when you had been a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but this time it's for world control. While it is a clever twist on the original plot, this means that there's less focus for the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels accountable for killing and possibly at her very own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each and every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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